A bit of boogie feeling also permeates the fifth prelude, “Lines and Timelines,” and here our pianist, Jonas Olsson, also does a good job of syncopating several other figures inside its compass. The second motion sounds like a play on a brief rhythmic theme which begins in the high winds, strikes around the orchestra a bit, and then disappears to permit a second, quicker, quirkier theme to take hold. Once once more, the piano acts as commentator and interlocutor somewhat than providing musical “answers” to the mysterious goings-on round it. ” type chords, signifying that issues are wrapping up, however they’re not! On the contrary, the pianist all of a sudden emerges taking half in a swinging, jazz-based solo earlier than the motion ends in earnest.
- This is a soothing and experimental composition with a holistic sound.
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